Concertino Op. 45 for Horn and Piano Reduction 韋伯卡爾 小協奏曲 法國號(含鋼琴伴奏) 亨乐版

圓號無疑是最 "浪漫 "的樂器，眾所周知，圓號在韋伯的作品中佔有重要地位。如果沒有《自由之歌》和《奧伯龍》中的號角聲，無論是表示嚮往還是狩獵的號角聲，都是不可想像的。但韋伯不僅在歌劇中為圓號賦予了重要的獨奏部分，他還創作了一首精湛的音樂會曲目，這首曲目至今仍被視為整個圓號曲目中最難演奏的曲目之一--尤其是因為獨奏者必須在快板中演奏三部和絃（！）。這本 Henle Urtext 版本以親筆簽名、雕刻師副本（韋伯親自校對）和初版為基礎，為希望學習這首高效演奏曲的人提供了最好的音樂文本。序言中還首次提供了委託創作這首協奏曲的慕尼克圓號演奏家塞巴斯蒂安-勞赫的詳細履歷"

作曲家: Carl Maria von Weber
校訂者: Dominik Rahmer
樂器: French Horn; Piano Accompaniment
出版社: G. Henle Verlag
原文簡介:
The horn is surely the most “romantic” of instruments, and it is a well-known fact that it plays a prominent role in Weber's oeuvre. Der Freischütz and Oberon would be unthinkable without their horn calls, whether to signify yearning or the clarion call of the hunt. But Weber did more than give the instrument important solo parts in his operas; he also wrote a virtuoso concert piece that to this day is regarded as one of the most difficult in the whole horn repertoire - not least because the soloist has to play three-part chords (!) in the cadenza. This Henle Urtext edition is based on the autograph, the engraver's copy (checked by Weber himself) and the first edition, and so offers the best possible musical text for those wishing to learn this highly effective virtuoso piece. The Preface also for the first time provides biographical details of Sebastian Rauch, the Munich horn player who commissioned this Concertino.