The Complete Piano Sonatas Vol. 4 Sonatas Hob. XVI:34, XVI:40-42, XVI:47-52. Edited Landon/Leisinger/Levin 海頓 鋼琴奏鳴曲 奏鳴曲 鋼琴獨奏 維也納原典版
克裡斯塔-蘭登首次推出約瑟夫-海頓鋼琴奏鳴曲印刷版時，海頓的奏鳴曲作品仍被莫札特和貝多芬的作品所掩蓋。但海頓的奏鳴曲早已離開了鋼琴課的小天地，成為音樂會的保留曲目；蘭登的版本無疑在其中發揮了重要作用。2009 年的海頓周年紀念是對這一 "傳奇 "版本進行徹底修訂的大好時機，因為四十多年來，新的資料來源不斷被發現，有關真實性的問題也得到了澄清；尤其是 18 世紀音樂的編輯原則在這段時間內發生了顯著變化。新版包括上一版 Wiener Urtext 中的所有作品，以及由蘭登改編的奏鳴曲 Hob. XVI:16，以及幾年前在博爾紮諾發現的約瑟夫-海頓的 F 大調奏鳴曲。新版本也分為四卷，其內容與前一版本的各卷內容一致。在詮釋注釋中，羅伯特-D-列文解釋了海頓演奏實踐的重要方面"
作曲家: Haydn, Joseph
編者: Landon, Christa
校訂者: Jonas, Oswald
樂器: piano
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on interpretation - Suggestions for embellishment - Facsimilia - Sonata in e minor Hob.XVI:34 - Sonata in G major Hob.XVI:40 - Sonata in Bb major Hob.XVI:41 - Sonata in D major Hob.XVI:42 - Sonata in F major Hob.XVI:47 - Sonata in C major Hob.XVI: 48 - Sonata in Eb major Hob.XVI:49 - Sonata in C major Hob.XVI:50 - Sonata in D major Hob.XVI:51 - Sonata in Eb major Hob.XVI:52 - Critical Notes
When Christa Landon presented her printed edition of Joseph Haydn's piano sonatas for the first time, Haydn's sonata works were still overshadowed by the works of Mozart and Beethoven. But Haydn's sonatas left the niche of piano lessons long since and have become established in the concert repertoire; Landon's edition certainly played a major role in that. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition, because new sources have been discovered and questions concerning authenticity have been clarified over more than forty years; the editorial principles for 18th-century music in particular have markedly changed in the mean time. The new edition comprises all the works from the previous Wiener Urtext edition plus the Sonata Hob. XVI:16 arranged by Landon, as well as a Sonata in F major which was discovered in Bolzano a few years ago and attributed to Joseph Haydn. The new edition, too, is divided into four volumes, the content of which is compatible with that of each of the volumes of the preceding edition. In the notes on interpretation Robert D. Levin explains essential aspects of Haydn's performance practice.