The Complete Piano Sonatas Vol. 3 Edited from the sources by Christa Landon, revised by Ulrich Leisinger 海頓 鋼琴奏鳴曲 鋼琴獨奏 維也納原典版
當克裡斯塔-蘭登推出她的約瑟夫-海頓鋼琴奏鳴曲版本的第一個印刷版本時，海頓的奏鳴曲作品仍被莫札特和貝多芬的作品所掩蓋。從那時起，海頓的奏鳴曲從教學室走向了音樂廳，而蘭登的版本在這一過程中起到了至關重要的作用。自 2009 年海頓周年紀念以來，這一 "傳奇 "版本進行了徹底修訂，因為在四十多年的時間裡，新的資料來源不斷出現，真偽問題也得到了解決，尤其是因為 18 世紀音樂的編輯原則發生了很大變化。新版共分四卷出版，每卷的內容都與上一版的各卷保持一致。新版第 3 卷包括 17 首奏鳴曲 Hob. XVI:21-32 和 Hob. XVI:35-39 奏鳴曲，包括音樂課上的流行作品，如《Hob. XVI:27、35 和 37。在 "詮釋說明 "中，羅伯特-D-列文解釋了海頓演奏實踐的重要方面，並通過大量實例說明了潤飾海頓常用停頓的可能性"
作曲家: Haydn, Joseph
編者: Landon, Christa
校訂者: Jonas, Oswald
樂器: piano
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on interpreation - Suggestions for embellishment - Facsimilia - Sonate C Hob.SVI:21 - Sonate E Hob.XVI:22 - Sonate F Hob.XVI: 23 - Sonate D Hob.XVI:24 - Sonate Es Hob.XVI:25 - Sonate A Hob.XVI:26 - Sonate G Hob.XVI:27 - Sonate Es Hob.XVI:28 - Sonate F Hob.XVI:29 - Sonate A Hov.XVI:30 - Sonate E Hob.XVI:31 - Sonate h Hob.XVI: 32 - Sonate C Hob.XVI:35 - Sonate cis Hob.XVI:36 - Sonate D Hob.XVI:37 - Sonate Es Hob.XVI:38 - Sonate G Hob.XVI:39 - Critical Notes
When Christa Landon presented the first printed version of her edition of Joseph Haydn's piano sonatas, Haydn's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then, Haydn's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. Since the Haydn anniversary in 2009 this 'legendary' edition has been thoroughly revised for, over the course of more than forty years, new sources have come to light and questions of authenticity have been resolved, not least because the editorial principles for 18th-century music have changed considerably. The new edition is published in four volumes, the content of each volume being compatible with the volumes of the previous edition. Volume 3 of the new edition comprises the 17 sonatas Hob. XVI:21–32 and Hob. XVI:35–39 contained in Vol. 2 of the previous Wiener Urtext edition, including popular works for music lessons such as Hob. XVI:27, 35 and 37. In the Notes on Interpretation, Robert D. Levin explains important aspects of Haydn's performance practice and, with the help of numerous examples, shows possibilities to embellish the pauses frequently used by Haydn.