Piano Sonata in E-flat Major, Hob. XVI:52 海頓 奏鳴曲 鋼琴 亨乐版

海頓的降 E 大調奏鳴曲至少與兩位偉大的女音樂家和音樂中心有關：根據其親筆簽名，它是 1794 年在倫敦為當時在倫敦廣受讚譽的鋼琴家特蕾澤-揚森（Therese Jansen）而作。然而，這首曲子的第一版--1798 年由維也納出版商 Artaria 出版--是獻給瑪格達萊娜-馮-庫爾茲博克的，她是當時最出色的女鋼琴家之一，也是這座皇家帝都最高級別的音樂家之一。海頓認識這兩位元女士，1795 年 5 月，海頓甚至是特蕾澤-揚森和蓋塔諾-巴托洛齊婚禮的證婚人。大奏鳴曲 "這一稱謂--在早期的版本中被稱為 "大奏鳴曲"--不僅體現了作品的規模和技術要求，也體現了作品的音調。開頭樂章給人留下了深刻印象，氣勢恢宏，這充分說明這部效果極佳的作品是為音樂會舞臺而構思的。空靈的Adagio（和聲轉為E大調）構成了一個冥想的休止符，隨後匈牙利風格的Presto Finale為樂曲畫上了一個振奮人心的句號。我們的Urtext版本由海頓專家格奧爾格-費德爾（Georg Feder）編輯，採用了《海頓全集》的音樂文本，並輔以漢斯-馬丁-西奧波德（Hans-Martin Theopold）的指法"

作曲家: Joseph Haydn
校訂者: Georg Feder
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Haydn's E flat Major Sonata is connected to no fewer than two great female musicians and musical centers: according to its autograph it was written in London in 1794 for the pianist Therese Jansen, who was widely acclaimed there at that time. However, its first edition – from the Viennese publisher Artaria in 1798 – was dedicated to Magdalena von Kurzböck, who was among the leading female pianists of her time and numbered among the highest-ranking musicians of that royal and imperial capital city. Haydn knew both women, and even was a witness at the wedding of Therese Jansen and Gaetano Bartolozzi in May 1795. The term “Grand Sonata” – as it was called in its early prints – honors not only the scale and technical demands of the work, but also its tone. The impressive and imposing start to the opening movement makes it absolutely clear that this supremely effective work was conceived for the concert stage. The ethereal Adagio (with its harmonic shift to E Major) constitutes a meditative rest point before a Hungarian-inspired Presto Finale brings the piece to a rousing close. Our Urtext edition, edited by Haydn specialist Georg Feder, uses the musical text of the Haydn Complete Edition, supplemented with fingerings by Hans-Martin Theopold.
難易度: Advanced