Piano Sonata Eb Major Hob. XVI:49 Edited from the sources by Christa Landon, revised by Ulrich Leisinger. Fingering by Oswald Jonas 海頓 鋼琴奏鳴曲大調 鋼琴獨奏 維也納原典版

在約瑟夫-海頓的鋼琴奏鳴曲中，《降 E 調奏鳴曲 Hob. 在約瑟夫-海頓的鋼琴奏鳴曲中，《降 E 調奏鳴曲 Hob.XVI:49》可能是我們對其起源瞭解最多的作品。它是海頓親筆書寫的為數不多的奏鳴曲之一，海頓和他年輕 18 歲的崇拜者瑪麗安-馮-根辛格之間的通信中多次提到這部作品。僅憑這一點，就足以讓維納烏爾文版海頓鋼琴奏鳴曲的著名編輯克裡斯塔-蘭登（Christa Landon）在多年前為這部作品出版了海頓親筆簽名的摹本。現在，新版本出版了該摹本和烏爾裡希-萊辛格（Ulrich Leisinger）新修訂的音樂文本"

作曲家: Haydn, Joseph
編者: Landon, Christa
校訂者: Jonas, Oswald
樂器: piano
出版社: Wiener Urtext Edition
原文簡介:
Among the piano sonatas by Joseph Haydn, the Sonata in E flat Hob. XVI:49 is probably the piece we know most about in terms of genesis. It is one of the few sonatas that have survived in Haydn's own handwriting, and the correspondence between Haydn and his 18 years younger admirer Marianne von Genzinger refers to the work several times. That alone was reason enough for Christa Landon, the renowned editor of Haydn's piano sonatas in the Wiener Urtext Edition, to present an edition of this work with a facsimile of Haydn's autograph many years ago. The new edition now publishes the facsimile with the musical text newly revised by Ulrich Leisinger.