Piano Sonata A Major Hob XVI:26 Edited from the sources by Christa Landon, revised by Ulrich Leisinger, Fingerings by Oswald Jonas. Notes on Interpretation by Robert D. Levin. 海頓 鋼琴奏鳴曲大調 音符詮釋 鋼琴獨奏 維也納原典版

A 大調奏鳴曲 Hob. XVI:26 是約瑟夫-海頓的奏鳴曲之一，越來越成為我們鋼琴教師關注的焦點。這首奏鳴曲技術要求不高，非常適合鋼琴課。同時，它還以一種濃縮的形式展現了海頓鋼琴風格的基本特徵--富有表現力的音樂宣敘調、充滿張力、機智幽默的修辭斷句--其高潮不僅是海頓最短的最後樂章之一，而且是一首小步舞曲，其後半部分（在小步舞曲和三重奏中）與倒彈時的前半部分相對應。對於年輕鋼琴演奏者中的 "鷹眼 "來說，這是一次真正的探索之旅！音樂文本以烏爾裡希-萊辛格（Ulrich Leisinger）新修訂的克裡斯塔-蘭登版本為基礎；羅伯特-D-萊文（Robert D. Levin）的詮釋注釋為演奏練習提供了相應的幫助"

作曲家: Haydn, Joseph
編者: Landon, Christa
校訂者: Jonas, Oswald
樂器: piano
出版社: Wiener Urtext Edition
原文簡介:
The Sonata in A major Hob. XVI:26 is one of the sonatas by Joseph Haydn which increasingly become the focus of attention of our piano teachers. Thanks to its moderate technical demands, it is perfect for piano lessons. At the same time, it shows essential features of Haydn's piano style in a condensed form – an expressive musical declamation, rhetorical breaks full of tension, wit and humour – which culminates not only in one of the shortest final movements of Haydn, but also in a minuet the second half of which (in Minuet and Trio) corresponds to the first half when played backwards. A real voyage of discovery for the 'eagle-eyed' ones among the young piano players! The musical text is based on Christa Landon's edition newly revised by Ulrich Leisinger; the notes on interpretation by Robert D. Levin provide assistance for a performance practice in the appropriate style.