Concerto for Piano (Harpsichord) and Orchestra G Major Hob.XVIII:4 Edition for Piano and String Quartet 海頓 協奏曲 大鍵琴 管弦樂團 鋼琴 弦樂四重奏 鋼琴五重奏 亨乐版

與莫札特相比，海頓並不是一位元鍵盤演奏家。他當然會用大鍵琴指揮管弦樂作品，也會演奏自己的鋼琴奏鳴曲，但他的天性中並沒有成為鋼琴協奏曲演奏家的野心。因此，海頓 "只有 "三首鋼琴協奏曲流傳於世。鋼琴與絃樂隊協奏曲 Hob. XVIII:4》充滿了精神和演奏的樂趣。我們既不知道這首協奏曲的寫作場合，也不知道它的創作年份；我們的演奏譜版本的序言（每份演奏譜都有一個弦樂聲部）詳細討論了這個問題。與當時的資料一樣，這裡的獨奏聲部也包括了領唱聲部的低音線（帶數位）。阿克塞爾-魯奧夫（Axel Ruoff）對第一樂章和第二樂章所需的獨奏快板提出了建議，海頓為最後的迴旋樂章創作了快板。這本Urtext版本以海頓全集的音樂文本為基礎，同樣由G. Henle出版社出版。行業媒體對其大加讚賞： "鑒於簡易鋼琴協奏曲的稀缺，我們應該感謝這一新版本，尤其是因為它可以與一個非常小的管弦樂隊一起演奏，甚至可以與絃樂四重奏一起演奏"

作曲家: Joseph Haydn
校訂者: Horst Walter
樂器: Orchestra; Piano; Piano Quintet
出版社: Henle Urtext Edition
原文簡介:
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. The Concerto for piano and string orchestra Hob. XVIII:4 is full of spirit and the joy of playing. We know neither the occasion for which it was written, nor the year of composition; the extensive preface to our edition of the playing score, with one string part each, discusses this in detail. As in the sources of the time, the solo part here also includes the bass line (with figures) for tutti sections. Axel Ruoff makes suggestions for the solo cadenzas required in movements 1 and 2, Haydn composed the cadenza for the concluding Rondo movement. This Urtext edition is based on the musical text of the Haydn Complete Edition, which is likewise published by G. Henle Publishers. The trade press applauds it: “in view of the scarcity of easier piano concertos, one can be thankful for this new edition, especially since it can be presented with a very small orchestra, perhaps even with a string quartet.”