Complete Piano Sonatas - Volume I Piano Solo 海頓 鋼琴 奏鳴曲 亨乐版

在約瑟夫-海頓的大量作品中，鋼琴奏鳴曲幾乎是取之不盡、用之不竭的。這些鋼琴奏鳴曲共有 50 多首，是他全部作品中的重要組成部分。這位作曲家的偉大成就之一是，在這些奏鳴曲中，如同在交響曲和絃樂四重奏等許多其他體裁中一樣，海頓彌合了風格迥異的時代，為古典鋼琴奏鳴曲奠定了基石

作曲家: Joseph Haydn
校訂者: Georg Feder
樂器: Piano
出版社: Henle Urtext Edition

曲目:
Haydn: Sonata E major Hob. XVI:13
Haydn: Single movement G major Hob. XVI:11lll
Haydn: Sonata G major Hob. XVI:8
Haydn: Sonata C major Hob. XVI:7
Haydn: Sonata C major Hob. XVI:3
Haydn: Sonata E flat major Hob. XVI:45
Haydn: Sonata g minor Hob. XVI:44
Haydn: Sonata D major Hob. XVI:19
Haydn: Sonata D major Hob. XVI:14
Haydn: Sonata A major Hob. XVI:12
Haydn: Sonata C major Hob. XVI:10
Haydn: Sonata F major Hob. XVI:9
Haydn: Sonata G major Hob. XVI:6
Haydn: Sonata A major Hob. XVI:5
Haydn: Single movement F sharp major Hob. IX:26
Haydn: Sonata D major Hob. XVI:4
Haydn: Sonata (No. 8) E flat major (without Hob.)
Haydn: Sonata B flat major Hob. XVI:2
Haydn: 7 missing Sonatas
Haydn: Final of the Sonata No. 9 without Hob. E flat major
Haydn: Allegro molto without Hob. D major
Haydn: Sonata B flat major Hob. XVI:18
Haydn: Single movement F major Hob. XVII:F1
Haydn: Single movement g minor Hob. XVI:11ll
Haydn: Sonata C major Hob. XVI:1
Haydn: Sonata (No. 9) E flat major (without Hob.)
Haydn: Sonata D major Hob. XVII:D1
Haydn: Sonata D major Hob. XIV:5
Haydn: Sonata G major Hob. XVI:G1
Haydn: Sonata e minor Hob. XVI:47
Haydn: Sonata A flat major Hob. XVI:46

原文簡介:
Among Joseph Haydn's extensive oeuvre is an almost inexhaustible stock of piano sonatas. With altogether over 50 works, they form a significant segment of his overall output. One of this composer's great achievements is that in these sontatas – as in many other genres, such as symphonies and string quartets – Haydn bridges discrepant stylistic eras, and lays the founding stone for the classical piano sonata.

Next to 25 complete sonatas in the Appendix, Volume I also contains five single pieces (that had perhaps once been planned as sonatas), and the beginnings of seven lost sonatas.

A first group of nine sonatas, which was no doubt intended for the more proficient student, was likely written in the 1750s, when Haydn was still eking out a living as “chamber servant” to the composer Nicola Porpora, or as a freelance artist.

Several of these pieces cannot be entirely authenticated without the shadow of a doubt.

A second group, also consisting of nine works, albeit considerably easier “little” sonatas, leads us into the 1760s.The last group of sonatas in the book comprises seven sonatas which Haydn composed between 1765 and 1772, thus already during his time of employment as Prince Esterházy's Kapellmeister. They are finest Haydn, full of surprise effects and pianistic refinements.