Cadenza to the concerto for piano and orchestra in G Major Hob. XVIII:4 裝飾樂段 協奏曲鋼琴管弦樂團 大調 鋼琴獨奏 朔特版

即興和創作的獨唱快板通常出現在詠歎調或器樂協奏曲的結尾，自 16 世紀晚期就已存在。獨奏快板為演奏者提供了一個自我展示的機會，演奏者可以根據樂章前半部分的主題和動機，以自由的演奏或演唱風格進行表演。獨奏快板大多由樂隊的六四和絃引出，獨奏者以自由的方式開始一段延長的插部，隨後在主和絃上達到高潮，通常伴有顫音。在這一發展過程中，一個重要的因素是人們越來越多地濫用快板，將其視為自由技巧的展示，而忽略了作品的風格和推動力。因此，貝多芬在他的第五鋼琴協奏曲中沒有給獨奏者任何自由即興演奏的機會，快板成了整部作品不可或缺的強制性組成部分。在這個獨特的系列中，Schott Music介紹了當代主要作曲家和獨奏家為古典和浪漫主義時期著名器樂協奏曲創作的快板。約瑟夫-海頓（Joseph Haydn）的《第 4 號 G 大調鋼琴與樂隊協奏曲》（Cadenzas No

作曲家: Haydn, Joseph / Rota, Nino
樂器: piano
出版社: Schott Music
原文簡介:
Improvised and also composed solo cadenzas, normally occuring towards the end of a bravura aria or an instrumental concerto movement, have existed since the late 16th century. They provide the performer with an opportunity for self-presentation in the form of a free style of playing or singing, based on themes and motifs from previous sections of the movement. Solo cadenzas are for the most part introduced by a six-four chord held by the orchestra; the soloist begins a protracting interpolation in free stlye, subsequently culminating on the dominant chord, usually with a trill.Whereas originally composers left solo cadenzas to be freely improvised, from the middle of the 19th century onwards they were frequently specifically written out. The increasing abuse of cadenzas as a mere display of free virtuosity, ignoring the style and impetus of the composition, played a substantial factor in this development. Thus Beethoven gives the soloist no opportunity whatsoever for free improvisation in his 5th piano concerto in which the cadenza becomes an integral, obligatory component of the complete work.In this unique series Schott Music presents cadenzas created for well-known instrumental concertos from the Classical and Romantic periods by major composers and soloists of our time.Nino Rota dedicated the Kadenzen zum Klavierkonzert Nr. 4 in G-Dur (Cadenzas of the Concerto No. 4 for Piano and Orchestra in G major) Hob. XVIII:4 by Joseph Haydn to Arturo Benedetti Michelangeli (1920-1995), who recorded them for the label EMI.