Sonata for Violoncello and Piano G minor Op. 65 蕭邦 奏鳴曲 大提琴(含鋼琴伴奏) 亨乐版

眾所周知，蕭邦幾乎只創作鋼琴獨奏曲。只有大提琴作品例外：兩部作品--《波羅乃茲輝煌舞曲》和《二重奏協奏曲》（HN 788）--是為大提琴和鋼琴而作，他還讓大提琴在《鋼琴三重奏作品 8》（HN 1068）中表現自己。8》（HN 1068）中，他也讓大提琴表現自己。最後，在他生命的最後階段，他為低絃樂器創作了一首氣勢恢宏的 G 小調四樂章奏鳴曲。大量的素描資料證明，這首奏鳴曲絕非兒戲。蕭邦自己也聲稱 "對於我的大提琴奏鳴曲，我時而滿意，時而不滿意。我把它扔到角落裡，然後又撿起來"。今天，我們只能對這種掙扎略知一二。這首奏鳴曲及其著名的旋律性 "拉格 "樂章，如今已牢牢烙印在大提琴文學的典籍中"

作曲家: Frédéric Chopin
校訂者: Ewald Zimmermann
樂器: Cello; Piano
出版社: Henle Urtext Edition

曲目:
Chopin: Sonata for Violoncello and Piano g minor op. 65

原文簡介:
It is well known that Chopin almost exclusively wrote works for solo piano. Only for the cello did he make some exceptions: two works – a Polonaise brillante and the Duo Concertant (HN 788) were written for cello and piano, and he also let the cello express itself in his Piano Trio op. 8 (HN 1068). Finally, towards the end of his life, he honored the low-stringed instrument with a grand, four-movement Sonata in G minor. Proof that it was anything but child's play is provided by the extensive sketch material. Chopin himself claimed: “With my cello sonata, I am now satisfied and now dissatisfied. I toss it into the corner, then pick it up again.” Today we only have an inkling about this struggle. The sonata, with its famous melodic Largo movement, is now firmly embedded in the canon of cello literature.