Piano Variations Piano Solo Study Score 莫札特 變奏曲 總譜 亨乐版
雖然 18 首鋼琴奏鳴曲對任何作曲家來說都是一個可觀的數字，但莫札特也留下了幾乎同樣多的變奏曲，即 15 首。根據流行主題和原創曲調創作變奏曲在當時是一種時尚，莫札特在這一領域也做出了自己的貢獻。當然，經濟上的考慮也在其中起了作用；畢竟，時髦的東西賣得好。因此，與鋼琴奏鳴曲不同，莫札特的變奏曲都是在他有生之年出版的。雖然這些作品都是品味之作，但這並不意味著它們的品質不高，尤其是莫札特的作品。在這些變奏曲中，豐富的想像力和優雅的格調融為一體，帶來了愉悅的音樂享受。我們不應低估它們，而應享受這些美妙作品帶來的樂趣。本學習版再現了 HN 116 藍色 Henle Urtext 演奏版的完整文本，未作任何改動"
作曲家: Wolfgang Amadeus Mozart
校訂者: Ewald Zimmermann
樂器: Piano
出版社: G. Henle Verlag
曲目:
Mozart: 7 Variations on 'Willem van Nassau' D major KV 25
Mozart: 9 Variations on the Ariette 'Lison dormait' KV 264 (315d)
Mozart: 12 Variations on an Allegretto KV 500
Mozart: 8 Variations on a Dutch Song KV Anh. 206 (24)
Mozart: 12 Variations on 'La belle Fran×oise' KV 353 (300f)
Mozart: 10 Variations on 'Unser dummer P÷bel meint' KV 455
Mozart: 6 Variations on an Allegretto KV 54 (547b)
Mozart: 6 Variations on 'Salve, tu Domine' KV 398 (416e)
Mozart: 12 Variations on a Minuet KV 179 (189a)
Mozart: 8 Variations on 'Come un'agnello' KV 460 (454a)
Mozart: 8 Variations on a March from 'Les Mariages Samnites' KV 352 (374c)
Mozart: 12 Variations on the Romance 'Je suis Lindor' KV 354 (299a)
Mozart: 8 Variations on 'Ein Weib ist das herrlichste Ding' KV 613
Mozart: 12 Variations on 'Ah, vous dirai-je Maman' KV 265 (300e)
Mozart: Theme and two Variations KV 460
Mozart: 6 Variations on the Final Theme of the Clarinet Quintet K. 581 KV Anh. 137
Mozart: 9 Variations on a Minuet by Duport KV 573
Mozart: 6 Variations on 'Mio caro Adone' KV 180 (173c)
原文簡介:
Though 18 piano sonatas is a respectable amount for any composer, Mozart also left almost as many – namely 15 – variation cycles. Variations on popular themes, but also on original tunes, were a kind of fashion craze back then, and Mozart made his contribution in this field as well. Certainly, financial considerations played a role here; after all, fashionable items sell well. Thus Mozart's variations, in contrast to his piano sonatas, were all published during his lifetime. The fact that these were articles of taste did not mean that they were not of the finest quality, especially with Mozart. In these variations, a wealth of imagination and stylish elegance come together for joyful music-making. One should not underestimate them, but simply take pleasure in these wonderful works. This study edition reproduces the complete and unaltered text of blue Henle Urtext performance edition HN 116.