Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 (Moonlight) 貝多芬 月光 鋼琴奏鳴曲 亨乐版

奏鳴曲准幻想曲"是貝多芬給它起的名字，然而音樂界卻把它稱為 "月光奏鳴曲"--作曲家生前就已經有了這個稱謂。"1823 年，路德維希-雷爾斯塔布（Ludwig Rellstab）在第一樂章中寫道："在黃昏的月光下，湖面靜靜地躺著；波浪拍打著黑暗的堤岸。"威廉-馮-倫茨（Wilhelm von Lenz）寫道："在鐮刀般的月光下，我們仿佛看到了孤寂平原中央的一座合葬墓。正如默里-佩拉希亞（Murray Perahia）和諾貝特-格茨（Norbert Gertsch）在本版序言中根據最新研究解釋的那樣，貝多芬可能受到了伊奧利亞豎琴音色的影響。佩拉希亞還提供了指法"

作曲家: Ludwig van Beethoven
校訂者: Murray Perahia
樂器: Piano
出版社: Henle Urtext Edition
原文簡介:
Sonata quasi una fantasia was the title given to it by Beethoven, and yet the world of music knows it as the Moonlight Sonata – an epithet that was already around during the composer's lifetime. “The lake rests quiet under the light of the moon at twilight; the wave thuds against the dark bank,” wrote Ludwig Rellstab on the 1st movement in 1823. “It is as if we catch sight of a collassal grave in the middle of a lonely plain, palely lit by the sickle moon,” was what Wilhelm von Lenz wrote. Beethoven might have been influenced by the sound of the Aeolian harp, as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition, referring to the latest research. Perahia also provided the fingerings.