Piano Sonata No. 11, B-Flat Major Op. 22 'Grand Sonata' Piano Solo 貝多芬 降B大調鋼琴奏鳴曲

降 B 大調第 11 號奏鳴曲是一首技藝高超的作品。第 11 號奏鳴曲並沒有與其他奏鳴曲放在一起，而是以'大奏鳴曲'的標題作為第 22 號作品獨立存在。貝多芬於 1800 年 12 月將這首奏鳴曲作為 "大型獨奏奏鳴曲 "提供給他的出版商霍夫邁斯特，不久之後，他再次明確警告說："這首奏鳴曲非常耗費精力：不久後，他再次明確警告："這首奏鳴曲非常耗費精力"。在早期奏鳴曲中，降B大調奏鳴曲是第一首有手稿版本的奏鳴曲。誠然，這不是貝多芬的手稿，但至少是他審閱過的抄寫員的手稿，在此基礎上可以檢驗原版的可靠性--這是編輯上的一個重要因素，但遺憾的是，對於作品編號較低的奏鳴曲來說，卻沒有這個因素。諾伯特-格爾奇（Norbert Gertsch）和默里-佩拉希亞（Murray Perahia）再次負責這一新版本的編輯工作。指法由默里-佩拉希亞親自提供"

作曲家: Beethoven Ludwig van
樂器: Piano
出版社: G. Henle Verlag
原文簡介:
As a highly virtuoso composition, the B-flat major Sonata no. 11 did not appear within a group with other sonatas, but rather held its own as Opus 22 under the title 'Grand Sonata'. Beethoven offered it to his publisher Hoffmeister in December 1800 as “a large solo sonata” and shortly afterwards warned explicitly once again: “this sonata is very taxing”. Among the earlier sonatas, the B-flat major Sonata is chronologically the first for which a manuscript was also available for the edition. Admittedly, not from Beethoven, but at least a copyist's manuscript that he reviewed, and on the basis of which the reliability of the original edition can be checked - an editorially important factor which one unfortunately has to do without in the sonatas with lower opus numbers. Responsible for this new edition are again the editors Norbert Gertsch and Murray Perahia. The fingerings were provided by Murray Perahia himself.