Piano Concerto No. 22 in E-flat, K. 482 2 copies needed for performance 莫札特 鋼琴協奏曲

莫札特的降E大調鋼琴協奏曲創作於1785年底，與他於次年3月完成的兩首著名的A大調協奏曲K.488和C小調協奏曲K.491形成三足鼎立之勢。它們的共同點是莫札特首次在樂隊中使用單簧管。在降E大調協奏曲的慢板中，他成功地運用了抒情的段落，效果尤其令人印象深刻。事實上，他的父親萊奧波德在一封信中寫道，莫札特 "不得不立即重複 "安ante樂章。除了這首協奏曲的研究版之外，我們還發行了這首協奏曲的鋼琴縮寫版，並由傑出的瑞士鋼琴家亞歷山大-隆基奇（Alexander Lonquich）為其譜寫了快板和指法"

作曲家: Mozart Wolfgang Amadeus
樂器: Piano
出版社: G. Henle Verlag
原文簡介:
Composed at the end of 1785, Mozart's Piano Concerto in E-flat major forms a triumvirate with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart's use of clarinets in the orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. In addition to the study edition of this concerto, undeservedly overshadowed by its famous siblings, we are issuing the piano reduction, with cadenzas and fingerings by the magnificent Swiss pianist Alexander Lonquich.