Piano Concerto No. 1 E-Flat Major Piano and Piano Reduction 李斯特 鋼琴協奏曲

李斯特根據自己的能力創作了兩首鋼琴協奏曲，這對於他這位元音樂史上最偉大的鋼琴家來說並不稀奇。在 19 世紀，這樣的協奏曲作為 "名片 "是每個鋼琴演奏家的期望。但令人吃驚的是，李斯特的協奏曲（除了一些草圖和構思）並不是他在巴黎的早期演奏家時期創作的，而是在魏瑪時期。因此，他的第一首降 E 調鋼琴協奏曲實際上是在 1855 年才首演的。在這首協奏曲中，李斯特的交響詩經歷了作曲家成熟的過程，其豐富多彩的配器和四個相互連接、動機交織的樂章的創新形式構思在這首協奏曲中顯而易見。時至今日，第一鋼琴協奏曲仍是鋼琴曲目的主打曲目。這本Urtext版本描述了協奏曲漫長的起源和修訂過程，研究了大量現存的手稿和印刷資料，並提供了作曲家最終版本的可靠音樂文本。經常演奏李斯特作品的傑出鋼琴家克雷爾-黃慈提供了指法"

作曲家: Liszt Franz
樂器: Piano Duet
出版社: G. Henle Verlag
原文簡介:
The fact that Franz Liszt wrote two piano concertos tailored to his own abilities is nothing unusual for one who was perhaps the greatest pianist in the history of music. In the 19th century such concertos were by all means expected of every piano virtuoso as “visiting cards”. But it is astonishing that Liszts concertos (apart from a few sketches and ideas) were not written in his early virtuoso period in Paris, but during his Weimar years. Thus the premiere of his 1st Piano Concerto in E flat in fact only took placein 1855. The process of maturing as a composer which Liszt had undergone up to that point in his symphonic poems is evident in this concerto, with its colourful orchestration and innovative formal conception of four interlinking, motivically-interwoven movements. The 1st Piano Concerto remains a firm staple of the piano repertoire today. This Urtext edition describes the protracted genesis andrevision of the concerto, examines the large number of surviving manuscript and printed sources, and offers a reliable musical text of the composer;s final version. The brilliant pianist Claire Huangci, who regularly performs Liszts works, has contributed the fingering.