Impromptus Piano Study Score 蕭邦 鋼琴 即興曲 總譜 亨乐版

蕭邦的四首即興曲是弗朗茨-舒伯特創造的體裁，具有強烈的即興特點，同時又洋溢著輕盈、莊重和高雅，這一點幾乎出乎意料。本卷的前三首即興曲即是如此。29、36 和 51。第一首創作於1837年，而另外兩首則是蕭邦在與女作家喬治-桑（George Sand）交往期間，在她的鄉間別墅諾漢特（Nohant）創作的：作品36創作於1839年，作品51創作於1839年。作品36創作於1839年，作品51創作於三年後。幻想即興曲》（作品 66）的作品編號容易讓人產生誤解，因為該曲作為四部作品中的第一部，早在 1834 年就已創作完成。蕭邦顯然沒有想到要將其印刷，在他的朋友朱利安-方塔納的努力下，這首曲子直到他去世後才得以發行。然而，印刷品與現存的親筆簽名--幸運的是--有很大出入，因此兩個版本都在 Henle Urtext 版本中重現

作曲家: Frédéric Chopin
校訂者: Ewald Zimmermann
樂器: Piano
出版社: G. Henle Verlag

曲目:
Chopin: Fantaisie-Impromptu c sharp minor op. post. 66
Chopin: Impromptu F sharp major op. 36
Chopin: Impromptu G flat major op. 51
Chopin: Impromptu A flat major op. 29

原文簡介:
Hardly unexpectedly for a genre created by Franz Schubert, Chopin's four impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the othe two were composed during Chopin's relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading since the piece had already been written in 1834 as the first of the four works. Chopin had apparently not envisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana. The print diverges so strongly from the – fortunately – extant autograph, however, that both versions are reproduced in the Henle Urtext edition.