Grand Fugue, Op. 134 Piano, 4 Hands 貝多芬 復格曲 鋼琴 四手聯彈(含以上) 亨乐版

貝多芬在晚期創作中專注於巴羅克復調形式。他最初創作的 "大賦格 "是降 B 大調絃樂四重奏作品 130 的最後樂章。130. 然而，據一位評論家稱，當時的聽眾認為它 "難以理解，就像中文一樣"。在出版商的敦促下，貝多芬用新創作的四重奏結束樂章取代了這一樂章。此外，他還為鋼琴四手聯彈製作了一個版本的 "大賦格"。這一編曲的親筆簽名最近被重新發現。在茱莉亞音樂學院的説明下，亨勒得以在他們的評論版中首次查閱到這一版本"

作曲家: Ludwig van Beethoven
校訂者: Ernst Herttrich
樂器: Piano Duet; 1 Piano, 4 Hands
出版社: Henle Urtext Edition
原文簡介:
In his late work Beethoven devoted himself intensively to the forms of baroque polyphony. He originally composed the “Grand Fugue” as the final movement of the String Quartet in Bb major op. 130. However, according to one critic, the listeners of the time considered it to be “unintelligible, like Chinese.” At the urging of his publisher, Beethoven then replaced it with a newly composed closing movement for the quartet. In addition, he also made a version of the “Grand Fugue” for piano four-hands. The autograph of this arrangement was recently rediscovered. Courtesy of the Juilliard School of Music, Henle was able to consult it for the first time for their critical edition.