Double Concerto A minor Op. 102 Study Score 布拉姆斯 複協奏曲 亨乐版

1859 年至 1885 年間，約翰內斯-勃拉姆斯創作了四部交響曲、兩部鋼琴協奏曲、小提琴協奏曲、舞曲、變奏曲和序曲，成為大型管弦樂的代表。1887 年，他選擇小提琴和大提琴作為獨奏樂器，創作了小調雙協奏曲作品 102。1887年，他選擇小提琴和大提琴作為獨奏樂器，創作了作品 102 小調雙協奏曲，因為他擁有出色的獨奏家。勃拉姆斯的第二首大提琴奏鳴曲首演後，大提琴家羅伯特-豪斯曼（Robert Hausmann）要求創作一首音樂會曲目；而著名小提琴家約瑟夫-約阿希姆（Joseph Joachim）是勃拉姆斯的朋友，曾首演過他的小提琴協奏曲等作品。在《第四交響曲》黯淡的色調之後，這首協奏曲顯得格外樂觀與和解。現在，我們以方便學習的版本提供該樂譜，它也是我們新全集的一部分"

作曲家: Johannes Brahms
校訂者: Michael Struck
樂器: Cello; Orchestra; Violin
出版社: G. Henle Verlag

曲目:
Brahms: Concerto for Violin, Violoncello and Orchestra a minor op. 102

原文簡介:
Between 1859 and 1885 Johannes Brahms, with his four symphonies, two piano concertos, violin concerto, dances, variations and overtures, became the representative of large-scale orchestral music. In 1887 he chose the violin and violoncello as solo instruments for his Double Concerto in a minor op. 102, since he had outstanding soloists at his disposal. After the premiere of Brahm's second cello sonata, cellist Robert Hausmann had requested a concert piece; while the renowned violinist Joseph Joachim was Brahms's friend and had premiered his Violin Concerto, among other things. After the dark-hued Fourth Symphony this concerto comes across as strikingly optimistic and conciliatory. We now offer the score, also published as part of our New Complete Edition, in a convenient study edition.