Japanische Nebellandschaft 舒爾次沃夫岡－安德雷阿斯 長笛獨奏

受禪宗的影響，日本的繪畫往往是縹緲的風景畫，極具詩意之美。與此同時，它們也表明，根據佛教教義，事物並不真正存在。它們是由 "空 "或 "虛無 "構成的，在其中它們又會消失，因此它們是一個過程的一部分，沒有確定的身份。舒爾茨的這首小品可以理解為對這些佛教教義的音樂體悟。在這首樂曲中，具體而突出的人物從模糊的、相當無形的、因此幾乎是模糊的線條中出現，然後又消失。兩個短小的主題在高潮處交織在一起，卻又在虛無縹緲的景色中一次又一次地消失"

作曲家: Schultz, Wolfgang-Andreas
樂器: flute
出版社: Simrock / Benjamin
原文簡介:
Influenced by Zen Buddhism, Japanese paintings often are paintings of misty landscapes which are of great poetic beauty. At the same time, they show that things, according to Buddhist teachings, do not really exist. They are made from 'emptiness' or 'nothingness' in which they disappear again, thus being part of a process and without a firm identity. Schultz' short piece can be understood as a musical realization of these Buddhist teachings. In this piece, specific and prominent figures appear from vague, quite shapeless and therefore almost blurred lines and disappear again. The two short themes are intertwined at the point of culmination, yet disappear again and again in the misty landscape.