De La Sonorite Art Et Technique Flute Traversiere (version Japonaise) 長笛

這本書是法國長笛演奏家和作曲家馬塞爾-莫伊塞（1889-1984 年）於 1934 年出版的《De la Sonorité》一書的日文版。該書專為高級長笛演奏家編寫，通過練習，演奏者可以改變音色，獲得不同的、更好的音色。 De la Sonorité》分為五個部分：1. 3 個音域的音色和音調的一致性 2. 音色的柔軟度（尤其是低音區） 3. 強音和弱音 4. 音色的飽滿度 5. 一些音樂家認為馬塞爾-莫伊塞是一位大師，他創作了許多長笛演奏法和練習冊，這些書籍也由阿爾方斯-勒杜克出版，如《Gammes et Arpèges》（1933 年）、《Exercices Journaliers》（1922 年）和《Mécanisme-Chromatisme》（1927 年）。他的演奏方法在世界範圍內得到廣泛應用和認可"

樂器: Flute
出版社: Alphonse Leduc
原文簡介:
“This is the Japanese version of De la Sonorité, a book published in 1934 and written by the French flautist and composer Marcel Moyse (1889-1984), proposing a method to acquire a beautiful sonority on the Flute. Created for the use of advanced flautists, the exercises should give a means to the players to transform their sounds and obtain a different and better tone. De la Sonorité is divided into five parts: 1. Timbre and homogeneity of tone in the 3 registers 2. Suppleness of tone (especially in the low register) 3. Attacking and slurring notes 4. Fullness of tone 5. Management of tone in interpretation Considered as a maestro by some musicians, Marcel Moyse has composed many Flute methods and exercise books also published by Alphonse Leduc, such as Gammes et Arpèges (1933), Exercices Journaliers (1922) and Mécanisme-Chromatisme (1927). His methods are widely used and recognised worldwide.”