12 Fantasias for Flute Solo TWV 40:2-13 泰勒曼 長笛 幻想曲 亨乐版

除了約翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的《A 小調帕蒂塔》（HN 457）和他兒子卡爾-菲力浦-伊曼紐爾（Carl Philipp Emanuel）的《a 小調奏鳴曲》（HN 555）之外，18 世紀上半葉豐富長笛獨奏曲目的主要還有泰勒曼的《12 首幻想曲》。泰勒曼的作品顯然對長笛演奏家的世界產生了巨大影響。作曲家于 1727 年出版了他的幻想曲（他甚至可能親自刻版）。這部作品很快就被視為典範並廣為流傳。該版本以塔勒曼的印刷品為基礎，並在版本中以摹本形式再現。長笛專家瑞吉兒-布朗（Rachel Brown）提供了有關演奏實踐的詳細評論"

作曲家: Georg Philipp Telemann
校訂者: Marion Beyer
樂器: Flute
出版社: G. Henle Verlag
原文簡介:
Aside from the Partita in A minor by Johann Sebastian Bach (HN 457) and the Sonata in a minor by his son Carl Philipp Emanuel (HN 555), it was also mainly Telemann's 12 Fantasias that enriched the solo flute repertoire in the first half of the 18th century. Telemann's cycle evidently had a great influence on the flautist's world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This edition is based on Telemann's print, which is also reproduced as a facsimile in the edition. The flute expert Rachel Brown has provided commentary with details regarding performance practice.