Concerto for Flute and Piano 伊貝爾 協奏曲長笛 鋼琴 長笛(含鋼琴伴奏)

雅克-伊伯特（Jacques Ibert，1890-1962 年）是一位新古典主義作曲家，曾于 1919 年獲得羅馬大獎，其長笛協奏曲《協奏曲 - MCMXXXIV》發表於 1934 年，是最常被演繹的長笛協奏曲之一。這首協奏曲是為法國長笛演奏家馬塞爾-莫伊茲（Marcel Moyze）而作，被評為高難度作品，由三個樂章組成： 由三個樂章組成：快板、安ante 和快板。第一樂章 "快板 "具有挑戰性，由 16 個音符組成的快速組曲緊接著一個更加抒情的主題。第二樂章 "安魂曲 "是一首抒情曲，令人想起其組曲《音階》（1924 年）。最後，"快板 "的戲劇性讓人聯想到法國戲劇，由於其節奏部分，獨奏者可能會感到困難"

作曲家: Jacques Ibert
樂器: Flute; Piano Accompaniment
出版社: Alphonse Leduc

曲目:
Concerto

原文簡介:
Published in 1934, the Concerto – MCMXXXIV is one of the most frequently interpreted Flute concertos by Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919. Written for the French flautist Marcel Moyze, it is rated as difficult and is composed of three movements: Allegro, Andante and Allegro Scherzando. The first one, Allegro, is challenging with a rapid suite of sixteen notes followed by a theme more lyrical. Andante, the second movement, is lyrical and recalls its suites Escales (1924). Finally, Allegro Scherzando reminds us of French drama through its theatricality and can be difficult for the soloist due to its rhythmic part.

Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Divertissement (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.