Wind Quintet op. 96 (2017) Compressions 木管五重奏 管樂五重奏 芬尼卡·蓋爾曼版

基姆莫-哈柯拉的管樂五重奏作品96（2017）是受英國皇家音樂學院委約創作的。96》（2017 年）由基米托島音樂節委約創作。作曲家認為，讓合奏最終作為一個有機、連貫的主題進行呼吸和表達，應該是為管樂五重奏作曲的目標。在創作管樂五重奏時，普通的室內樂配置對我來說是不夠的：樂器必須被壓縮、縮小，甚至擠壓在一起，這樣在成對和不同的組合中，它們才能產生新的、可行的音訊單元。碰撞往往會產生新的東西。基姆莫-哈柯拉在作曲生涯中經歷了多種風格和影響，他的音樂風格時而擴展到浪漫主義、東方主義和克萊茲梅爾。他的作品風格多樣，從私密的獨奏作品到長篇歌劇，如受薩翁林納歌劇節委託創作的《芬尼茨》（2011 年），他的作品已獲得國際認可。他的許多作品都是宏大的史詩：例如，他的《鋼琴協奏曲》（1996 年）長達 55 分鐘。哈柯拉說，他視音樂為戲劇。他的戲劇幾乎是莎士比亞式的極端探索，從聲勢浩大的憤怒時刻和激烈的戰鬥，到安靜的冥想時刻和令人心碎的獨白"

作曲家: Hakola Kimmo
樂器: wind quintet
出版社: Fennica Gehrman
原文簡介:
Kimmo Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. "The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new." Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.