gadji beri bimba 彼得版

雨果-波爾是蘇黎世達達運動的創始人之一，他於1916年為蘇黎世伏爾泰歌舞廳的一場演出寫下了這首詩。這是一首無意義的詩，詩中的文字沒有任何實際意義，只是構成了一連串荒誕的聲音。1916 年 6 月 23 日，波爾在日記中寫道Tin發明了一種新型詩歌，即 "無字詩 "或音韻詩，其中母音的分佈完全根據首行的數值來決定和分配。他的詩歌是在一種近乎神聖的氛圍中向驚奇的觀眾表演的，波爾在表演時故意表現得過於嚴肅和莊重。這種設置的意圖並不是模仿詩歌的無厘頭性質，而是提供一個背景框架，在此框架下，文本的荒謬性變得越來越明顯"

作曲家: Klimek, Jens
出版社: Edition Peters
原文簡介:
Hugo Ball was one of the founders of the Zurich Dada movement and wrote this poem for a performance at Zurich’s Cabaret Voltaire in 1916. A nonsense poem, its words have no actual meaning, merely constituting an absurd sequence of sounds. On 23 June 1916 Ball noted in his diary: Tinvented a new type of poetry, “poetry without words” or sound-poems, in which the distribution of vowels is decided and allotted solely based on the values of the initial row.’ The performance of his poem, to an astonished audience, took place in a quasi-sacred atmosphere, with Ball delivering his verses in a deliberately over-serious and solemn manner. The intention of this setting is not to mimic the nonsensical nature of the poem, but to provide a contextual frame against which the absurdity of the text becomes more and more evident.