Requiem op. 89 德弗札克 安魂曲 騎熊士版

15 世紀至今，拉丁文的 "亡者彌撒 "一直激發著音樂創作的靈感，為歷代作曲家提供了反思人類生命終結和令人不安的人類命運問題的機會。德沃夏克為獨唱、合唱和管弦樂隊創作的《安魂曲》創作於 1890 年，次年在伯明罕上演，大獲好評。這部長篇作品將禮儀文本分為 13 個大的部分。德沃夏克《安魂曲》的鋼琴縮寫本是第一部《安東寧-德沃夏克作品批判版全集》的一部分，由卡雷爾-索爾克（Karel Solc）在批判版樂譜的基礎上製作而成"

作曲家: Dvorák, Antonín
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
The Latin text of the mass for the dead, inspiring musical settings from the 15th century to this day, provided composers throughout the ages with an opportunity to reflect upon the end of human life and on the disquieting issues of human destiny. Dvorak's Requiem for solos, choir and orchestra was written in 1890 and performed in Birmingham the following year to considerable acclaim. This full-length work divides the liturgical text into thirteen extensive parts. The piano reduction of Dvorak's Requiem, part of the first Complete Critical Edition of Works by Antonin Dvorak, was produced by Karel Solc on the basis of the critical edition of the score.