IX. Symphonie e-Moll op. 95 德弗札克 騎熊士版

東甯-德沃夏克（Antonin Dvorak，1841-1904 年）於 1893 年前幾個月開始創作 E 小調第九交響曲，作品 95 "來自新世界"，當時他在美國逗留，1892-1895 年擔任紐約國立音樂學院院長。雖然他沒有為交響樂留下任何曲目說明，但他本人表示，當時閱讀亨利-沃茲沃斯-朗費羅的史詩《海華沙之歌》對他影響很大。史詩中著名的描寫明尼哈哈林地埋葬的拉格樂章和接下來的小快板都引用了史詩中的靈感--一種印第安儀式舞蹈，但在這裡也融入了捷克民間舞蹈。即使在最後一個樂章 "Allegro con fuoco "中，也與第一樂章 "Adagio. Allegro molto》的第二主題也是對捷克民間旋律的回憶。德沃夏克的這首著名交響曲在此作為鋼琴改編曲出版，是 "大眾版 "系列的一部分。由 Karel Solc 為鋼琴改編"

作曲家: Dvorák, Antonín
改編者: Solc, Karel
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Antonin Dvorak (1841-1904) began working on his Symphony No. 9 in E minor, Op. 95 "From the New World" in the first few months of 1893, during his stay in the USA where, in the years 1892-1895, he was director of the National Conservatory of Music in New York. While he did not leave behind any programme description for the symphony, he, himself, stated that he had at that time been greatly influenced by reading the epic poem The Song of Hiawatha by Henry Wadsworth Longfellow. Inspiration from the epic is cited both in connection with the celebrated Largo, describing the woodland burial of Minnehaha, and with the following Scherzo - an Indian ceremonial dance which here, however, also incorporates a Czech folk dance. Even in the last movement, Allegro con fuoco, written in sonata form like the first movement, Adagio. Allegro molto, the second subject is a reminiscence of a Czech folk melody. Dvorak's famous symphony is here published as a piano arrangement as part of the series "Popular Edition". Arranged for piano by Karel Solc.