Phyllis and Amaryllis Madrigal Collection 牧歌

就像今天的許多流行歌曲一樣，英國文藝復興時期的狂歌，也是當時的流行歌曲，會提到親人的名字。其中最常出現的兩個名字是 "Phyllis "和 "Amaryllis"，這兩個名字都源自希臘神話，在 16 世紀顯然很流行。這五首迷人的狂歌都提到了名為 "Phyllis "和 "Amaryllis "的女士，其中一首同時提到了這兩個名字！曲集包括Adieu, sweet Amaryllis（John Wilbye），Fair Phyllis（John Farmer），I love, alas, I love thee（Thomas Morley），See, see the shepherds' queen（Thomas Tomkins），Though Amaryllis dance in green（William Byrd）"

作曲家: John Farmer
校訂者: Philip Lawson
樂器: Choral
出版社: De Haske Publications

曲目:
Fair Phyllis I Saw
See, See The Shepherds' Queen
Adieu, Sweet Amaryllis
I Love, Alas, I Love Thee
Though Amaryllis Dance In Green

原文簡介:
Just like many pop songs of today, English Renaissance madrigals, the pop songs of their time, mention loved ones by name. Two of the most frequent to crop up are “Phyllis” and “Amaryllis,” both names derived from Greek mythology and obviously popular in the 16th century. These five charming madrigals all refer to ladies named Phyllis and Amaryllis, including one which has both! The collection includes: Adieu, sweet Amaryllis (John Wilbye), Fair Phyllis (John Farmer), I love, alas, I love thee (Thomas Morley), See, see the shepherds' queen (Thomas Tomkins), Though Amaryllis dance in green (William Byrd).