Parable for clarinet solo 豎笛獨奏

在亞美尼亞，單簧管被認為是一種流行樂器。幾乎所有的杜杜克演奏家都會吹單簧管。在一些村莊，他們稱之為 gralnet，並稱演奏者為 gralnetist。在《寓言》中，我試圖將單簧管和格拉內特與它們各自的音調、節奏和色彩的獨特性結合起來。我試圖在這兩種 "單簧管 "的融合中找到一種二元對立或悖論，這在寓言中是真實存在的。這部作品創作於 2011 年，獻給我的朋友、作曲家阿肖特-佐赫拉比揚，以表達我對他為室內樂團創作的同名作品的欽佩之情。(蒂格蘭-曼蘇爾）

作曲家: Mansurian, Tigran
樂器: clarinet
出版社: M.P. Belaieff Musikverlag
原文簡介:
In Armenia, the clarinet is considered a popular instrument. Almost all of our duduk players also play the clarinet. In some villages, they call it gralnet and they call the player gralnetist. In Parable I have tried to combine the clarinet and gralnet with their individual intonation and their characteristic uniqueness in rhythm and colour. I have attempted to secure in the amalgamation of the two “clarinets” a dichotomy or paradox that would hold true for a parable.This work was first performed by Swiss clarinetist Reto Bieri. Written in 2011, it is dedicated to my friend, composer Ashot Zohrabyan, as an expression of my admiration for his work of the same title written for a chamber orchestra. (Tigran Mansurian)