Fantasia La Traviata 幻想曲 豎笛

19世紀，人們對義大利歌劇的熱情是現場表演永遠無法滿足的。在沒有留聲機和收音機的情況下，器樂演奏蓬勃發展，而作曲家們往往本身就是演奏家，他們在最受歡迎的詠歎調中找到了自己的變奏曲素材。下面就是一個傑出的例子： 多納托-洛夫雷格裡奧（Donato Lovreglio，1841-1907 年）是長笛演奏家，他為自己的樂器創作了許多作品，主要是歌劇幻想曲，以及一些單簧管作品。在歌劇《茶花女》幻想曲中，他展示了自己創作變奏曲的非凡能力，這些變奏曲在提供炫目音符的同時，仍忠實於激發其靈感的威爾第詠歎調的特點"

作曲家: Donato Lovreglio
樂器: Clarinet
出版社: Chester Music
原文簡介:
The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers, often themselves virtuoso performers, found in the most popular arias ready material for their own sets of variations. Here is an outstanding example: Donato Lovreglio (1841-1907) played the flute and composed many pieces for his own instrument, mainly operatic fantasias, as well as a few for the clarinet. In Fantasia on the opera 'La Traviata' he demonstrates his remarkable ability to write variations, which, whilst providing a dazzling display of notes, nevertheless remain faithful to the character of the Verdi arias which inspired them.