Rückblick In Erinnerung an die Reichspogromnacht 9. November 1938 豎笛 1把以上加鋼琴 柏特-柏克版

烏蘇拉-馬姆洛克的作品中，"昭和 "從來都不是一個主題，但她於 2002 年受天普大學之托為紀念水晶之夜而創作的薩克斯管與鋼琴作品《Rückblick》除外。慢板和快板之間的對比比她在這一時期創作的其他作品要精細得多，快板部分顯得有些急促，而鋼琴部分則在片刻間表現出一種不為人知的嚴厲。在第三樂章接近尾聲時，詠歎調和轉瞬即逝的姿態突然相互推向對方。第一快板樂章產生於對嘗試性的破壞。挽歌》（第二樂章）在對其最初主題的四重提醒中消逝，最後的嘗試仍然是零碎的。第四樂章《哀歌》以一個回到開頭的圖形結束

作曲家: Mamlok, Ursula
樂器: bass clarinet and piano
出版社: Bote & Bock
原文簡介:
The Shoa never was a theme in the works of Ursula Mamlok – with the exception of Rückblick for saxophone and piano which she wrote in 2002 on commission of the Temple University in memory of Kristallnacht. The contrast between slow and fast movements is much more elaborate than in her other works from that period, with the fast movements appearing somewhat driven while the piano part for a few moments adopts an otherwise unknown severity. Near the end of the third movement, cantabile and fleeting gestures are suddenly pushed toward each other. The first fast movement arises from the destruction of attempted cantability. The Elegy (2nd movement) dies away with a four-fold reminder of its initial motif, the last attempt remaining fragmentary. The fourth movement Lament concludes with a figure that returns to its beginning.