Preludio #2 豎笛 1把以上加鋼琴
前奏曲 1 號和 2 號》所附的獻詞表明了作者對其昔日老師和大師--古巴著名單簧管演奏家羅伯托-桑切斯-洛佩斯（Roberto Sánchez López，1914-1987 年）、恩裡克-帕爾多-富恩特斯（Enrique Pardo Fuentes，1905-1996 年）和胡安-J-容科（Juan J. Junco，1913-2001 年）--的欽佩和敬意。這些作品是為降B調單簧管和鋼琴而創作的二重奏，是當代古巴室內樂多樣化創作傾向的典範之一，要求展現兩位樂器演奏家的各種技術和詮釋可能性。 這些作品的特點是使用多調性、同時應用各種模式以及單簧管與鋼琴之間建立的複雜多節奏段落；然而，它們也顯示出那些巨大的音程跳躍以及即興或快板式的片段，決定了單簧管的旋律論述。在後者中，"非洲舞曲"（canción afro）和 "兒子舞曲"（son）以其獨特的旋律音調方式和典型的連貫與疊加。因此，如何恰當、悅耳地演奏和詮釋這些前奏曲，對音樂家來說是一項極具吸引力和誘惑力的挑戰。安娜-V-卡薩諾瓦（音樂學家）
作曲家: Zalba, Javier
樂器: clarinet and piano
出版社: advance music GmbH
原文簡介:
The dedications accompanying Preludio No. 1 and No. 2 show the authors admiration and respect towards his former teachers and masters, the eminent Cuban clarinetists Roberto Sánchez López (1914 1987), Enrique Pardo Fuentes (1905 1996) and Juan J. Junco (1913 2001), who also stand out as composers and, especially, as notable pedagogues teaching this instrument to several generations of Cuban musicians. Contrived as duos for Bb clarinet and piano, these pieces are exemplary of one of the diversified creative tendencies within contemporary Cuban chamber music, demanding the revelation of the varied spectrum of technical and interpretative possibilities of both instrumentalists.These compositions feature the use of polytonality, the simultaneous application of various modes and complex polyrhythmic passages established between the clarinet and the piano; yet, they also show those huge intervallic leaps and the existence of fragments of improvisational or cadence-like character determining the clarinets melodic discourse.Their style is not only sustained by the specific characteristics and complex traits peculiar to contemporary concert music, but also by latin jazz and the distinct manifestations of Cuban popular and folkloristic music. Among the latter, the canción afro and the son stand out by their singular ways of melodic intonation and their typical concatenations and superpositions of sincopes. Achieving an appropriate and pleasing execution and interpretation of these preludes will therefore represent an attractive and tempting challenge to the musicians. Ana V. Casanova (Musicologist)