Fantasy Pieces for Clarinet and Piano op. 73 Edited by Michael Kube, based on the sources 舒曼．羅伯特 幻想小品 鋼琴 豎笛 1把以上加鋼琴 維也納原典版

羅伯特-舒曼在 1849 年 2 月的兩天時間裡創作了單簧管與鋼琴幻想曲。幾天後，克拉拉-舒曼和德累斯頓單簧管演奏家約翰-戈特利布-科特（Johann Gottlieb Kotte）首演了這些作品。舒曼最初為自己的作品取名為 "Soirée Pieces"，最後決定以 "Fantasy Pieces"（幻想曲）的名義出版，以此強調作品的詩意。 單簧管演奏家伊莉莎白-艾興伯格（Elisabeth Eichenberg）的詮釋說明也以這些內涵為中心，並特別提到了單簧管音色的當代美學。該版本以 1849 年出版的第一版為基礎，並加入了舒曼個人副本中的後續更正。流傳下來的作曲手稿起到了重要的校正作用。除了原始的 A 調單簧管聲部外，該版本還收錄了 B 調單簧管的轉調聲部，以便讓更多的單簧管愛好者能夠欣賞到這些浪漫主義單簧管曲目中的標準作品"

作曲家: Schumann, Robert
校訂者: Roggenkamp, Peter
樂器: clarinet and piano
出版社: Wiener Urtext Edition

曲目:
Fantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)

原文簡介:
Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community.