Concert Pieces Op. 113 and 114 for Clarinet, Basset Horn (or 2 Clarinets) and Piano音樂會曲 法國號 豎笛(含鋼琴伴奏) 亨乐版

用最喜歡的菜肴換取最喜歡的音樂"--這句話完美地概括了 "鋼琴協奏曲 "的起源。1832 年，單簧管演奏家海因裡希-約瑟夫-貝爾曼（Heinrich Joseph Baermann）和他的兒子卡爾（Carl，同時也是低音號演奏家）在拜訪菲力克斯-孟德爾松-巴托爾迪（Felix Mendelssohn Bartholdy）時，達成了一個非常奇特的協定：他們向作曲家朋友許諾，如果孟德爾松能為他們寫一首曲子，讓他們在巡迴演唱會上使用，他們就會大吃一頓孟德爾松為之瘋狂的 "Dampfnudeln"（蒸餃）和 "Rahmstrudel"（甜乳酪餡餅）。以這種方式創作的《f 小調鋼琴協奏曲》不久後又推出了第二首《d 小調鋼琴協奏曲》。這兩首作品都非常出色，將單簧管家族中兩種樂器的獨特音色和演奏技巧表現得淋漓盡致

作曲家: Felix Mendelssohn
校訂者: Frank Heidlberger
樂器: Clarinet; Piano; Bassetthorn
出版社: G. Henle Verlag
原文簡介:
“Favorite dish in exchange for favorite music” - this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl, who also played the basset horn, stopped to pay a visit to Felix Mendelssohn Bartholdy in 1832, they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about, if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the clarinet family.