Clarinet Concerto 萊納．卡瑞爾 協奏曲 豎笛加管弦樂團 朔特版

為低音單簧管、弦樂和打擊樂器創作的協奏曲是一部相當短小的作品，共分三個樂章，整體上清晰明瞭，編排合理，兩種樂器的功能都很明確，甚至鋼琴的部分也不只是伴奏。作品音色細膩，最能體現低音單簧管獨奏的特點。簡短的第一部分強調了節奏和活力元素，但另一首慢板樂曲在思想上是最重要的。它有意封閉了空間，帶來了戲劇性的緊張感，與終曲的鬆弛和俏皮靈動截然相反。這些協奏曲的靈感來自低音單簧管演奏家約瑟夫-霍拉克（Josef Horák）的藝術，他的演奏技巧和表現力都非常出眾。這些作品就是獻給他的。作曲家于 1966 年 2 月至 7 月間創作了這些作品。低音單簧管、弦樂和打擊樂器協奏曲》的原始版本於 1967 年 3 月 8 日在布拉格 "新作品周 "期間首次公演（約瑟夫-霍拉克、由 Jirí Stárek 指揮的 FOK 交響樂團，唱片由 Panton 出版）。1967 年 4 月 23 日，約瑟夫-霍拉克和艾瑪-科瓦諾娃（Due Boemi）在德國維滕首次推出了這部作品的鋼琴版本"

作曲家: Reiner, Karel
樂器: bass clarinet and orchestra
出版社: Schott Music

曲目:
Allegro energico - Sostenuto. Poco grave - Allegro assai

原文簡介:
The concerto for bass clarinet, string and percussion instruments represents a rather short work in three movements, on the whole transpicuous and well-arranged, with precisly defined function of both instruments, even the piano the part of which is by far not only accompanying. The sound of the work is subtle, which best answers the character of the solo bass clarinet. Its brief first part stresses rhythmic-energetic elements, but the other composition, a slow one, is intellectually the most important. Intentionally closed space, it is bringing forth dramatic tension, contrary to the looseness and playful mobility of the finale. An inspiration to these concerto compositions was the art of the bass clarinetist Josef Horák, most extraordinary in both technique and expression. They are dedicated to him. The composer was writing them in February to July 1966. In the original version, the Concerto for Bass Clarinet, Strings and Percussion Instruments was for the first time performed on 8th March 1967 during the Week of New Production in Prague (Josef Horák, the Symphonic Orchestra FOK under the baton of Jirí Stárek, recorded on a disc published by Panton). In its piano version the work was for the first time introduced on 23rd April 1967 at Witten (Germany) by Josef Horák and Emma Kovárnová (Due Boemi).