Pastorales, Six Pieces For Cello And Piano 馬悌努 田園曲 小品 大提琴 鋼琴

博胡斯拉夫-馬蒂努（1890-1959 年）是一位多產的捷克作曲家，創作了許多大型作品。這位作曲家于 1923 年移居巴黎，在那裡他開始嘗試各種作曲風格。大提琴與鋼琴牧歌》於 1931 年出版，由六首作品組成。 馬蒂紐本人是一名小提琴家，在他開始嘗試為獨奏樂器作曲時，他就開始為弦樂作曲。大提琴牧歌》體現了作曲家受斯特拉文斯基、德彪西新古典主義、超現實主義和爵士樂的影響。這首作品在雙音終止、複雜節奏、半音階以及大提琴與鋼琴的合奏等方面的運用令人興奮。馬蒂紐的牧歌是大提琴曲目中內容豐富、形式多樣的作品，是高級演奏家的必備之選"

作曲家: Bohuslav Martinu
樂器: Cello
出版社: Alphonse Leduc

曲目:
Pastorales Six Pieces For Cello

原文簡介:
“Bohuslav Martinu (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. Pastorales for Cello and Piano was published in 1931 and is made up of six pieces. Martinu himself was a violinist and the beginning of his experiments in composing for solo instruments saw him write for strings. Pastorales for Cello exemplifies the composer's influence of Stravinsky, Debussy neoclassicism, surrealism and jazz. The piece is excitingly virtuosic in its use of double stops, complex rhythms, chromaticism, and ensemble between the Cello and Piano. As a varied, substantial work for the Cello repertoire, Martinu's Pastorales is essential for the advanced performer.”