Complete Cello Technique: The Classic Treatise on Cello Theory and Practice 大提琴

未經刪節的迪蘭-亞歷山大尼安（Diran Alexanian）1922 年的經典之作《大提琴理論與實踐》（Traité théoretique et pratique du Violoncelle）再版，被認為是文獻中對大提琴演奏和技巧最深入的探討之一。該書由原版雙語版再版（法語和英語教學內容並列在頁面上），並配有大量照片、圖表和樂曲示例，是學生和成長中的專業人士學習大提琴的絕佳教材。阿列克薩尼揚曾與勃拉姆斯一起演奏室內樂，與馬勒一起演奏協奏曲，在巴黎與卡薩爾斯並肩執教，並見證了卡薩爾斯極具影響力的理念對傳奇大提琴家格雷戈爾-皮亞蒂戈爾斯基等人職業生涯的影響，他在序言中對卡薩爾斯給予了極高的評價：.............[在......這本唯一的同類作品中，......即使經驗豐富的演奏家也會發現......啟發思考的食糧。曼哈頓音樂學院弦樂系主任 David Geber 教授為多佛爾版所作的序言。該作品由 A. Zunz Mathot 於 1922 年在巴黎出版，未經刪節

作曲家: Diran Alexanian
樂器: Cello
出版社: Dover Publications
原文簡介:
An unabridged republication of Diran Alexanian's 1922 classic, Traité théoretique et pratique du Violoncelle--considered one of the most thorough explorations of cello playing and technique in the literature. Reprinted from the original dual-language edition (French and English instruction side-by-side on the page), with numerous photographs, diagrams, and music examples, it is a superb compendium of instruction for student and growing professional alike. Alexanian--who played chamber music with Brahms, performed concertos with Mahler, taught alongside Casals in Paris, and saw his influential ideas shape the careers of such cellists as the legendary Gregor Piatigorsky--received the highest praise of Casals in his preface: " . . . [in] the only work of its kind . . . even experienced virtuosos will find . . . food for instructive meditation." Introduction to the Dover edition by Prof. David Geber, Chairman of Strings, Manhattan School of Music. Unabridged republication of the work originally published by A. Zunz Mathot, Paris, 1922.