Cello Sonata in C Major, Op. 102, No. 1 Cello and Piano 貝多芬 奏鳴曲 大提琴(含鋼琴伴奏) 亨乐版

作於 1815 年的兩首奏鳴曲作品 102 標誌著貝多芬晚期風格向樸素音色的過渡。原版的一位評論家在 1818 年指出，這兩首奏鳴曲 "無疑是貝多芬長期以來創作的最不尋常、最奇特的作品之一"。從既定的古典模式出發，貝多芬在這裡探索了改變和擴展奏鳴曲形式的可能性，這使得作品 102 成為其大提琴作品的巔峰之作。在《C大調奏鳴曲》中，貝多芬在曲式結構中加入了不同尋常的元素：兩個快板樂章，每個樂章之前都有一個慢板的簡短引子--這是一種特立獨行、獨一無二的形式結構。延斯-杜夫納（Jens Dufner）的Urtext版本是基於他對《貝多芬全集》評論報告的研究，因此具有最高學術水準的音樂文本。在序言和評論報告中，他概述了這首奏鳴曲的起源和來源情況。伊恩-福泉（Ian Fountain）和大衛-格林加斯（David Geringas）提供了指法"

作曲家: Ludwig van Beethoven
校訂者: Jens Dufner
樂器: Cello; Piano Accompaniment
出版社: Henle Urtext Edition
原文簡介:
Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they “doubtless number among the most unusual and peculiar things written in a long while.” Proceeding from the established Classical schema, here Beethoven explores possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello oeuvre. In the Sonata in C-major, unusual elements emerge in the very structure: two fast movements, each preceded by short introductions at a slow tempo - an idiosyncratic, unique formal construction. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.