Concerto for Violin and Orchestra D major op. 77 布拉姆斯 協奏曲 小提琴 管弦樂團 騎熊士版

約翰內斯-勃拉姆斯（Johannes Brahms）為他的朋友約瑟夫-約阿希姆（Joseph Joachim）創作的小提琴協奏曲自首次演奏以來，一直是音樂會文獻中的標準曲目。這部作品從未出版過學術性的評論版本，因此，許多有時相互矛盾的資料來源從未被評估過，也從未出版過評論性的演奏版本。該版本不僅參考了勃拉姆斯親筆簽名的樂譜、獨奏部分和親筆簽名的鋼琴縮寫，還參考了他個人的第一版樂譜副本以及第一版管弦樂部分。克萊夫-布朗（Clive Brown）的版本深入剖析了這部作品的起源以及勃拉姆斯與約阿希姆之間的工作關係。批判性評注對資料中的所有差異進行了評論"

作曲家: Brahms, Johannes
校訂者: Brown, Clive
樂器: for Violin and Orchestra
出版社: Bärenreiter 騎熊士(小熊版)
原文簡介:
Johannes Brahms's violin concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms's autograph score, solo part and autograph piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationship between Brahms and Joachim. The critical commentary comments on all discrepancies in the sources.

The critical edition of Brahms's own piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice.

In addition the piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir , H. Heermann , L. Auer and F. Busoni.

An informative preface (Ger / Eng) with references to performance practice and a critical commentary are included in the edition.

Short text:

This publication contains not only Brahms’ own piano reduction, an Urtext violin part, a second violin part with fingerings and bowings by J. Joachim from his 1905 violin method but also an additional brochure with cadenzas by Brahms’ contemporaries J. Joachim, C. Halir , H. Heermann , L. Auer and F. Busoni. Clive Brown has also provided an enlightening preface on Romantic period performance practice as well as the history of the work and its sources.

- First scholarly critical edition of this standard work

- Critical commentary (Eng)

- Insightful comments on performance practice

- An Urtext violin part and an additional violin part marked with fingering and bowing suggestions by Joseph Joachim

- Valuable cadenza brochure with cadenzas by Joachim, Halir , Heermann , Auer and Busoni