In the Midst of Nature Suite for piano solo in six movements 組曲鋼琴 樂章 鋼琴獨奏 博浩版

萊奧卡迪婭-卡什佩羅娃（1872-1940 年）作為斯特拉文斯基的鋼琴老師，在音樂史上一直只是一個註腳，如今卻被重新發現。作為聖彼德堡音樂學院的雙料畢業生，她是浪漫主義傳統的鋼琴演奏家和作曲家。她與當時一些偉大的音樂家，包括巴拉基列夫和奧爾都有交往。1900 年代，她曾在德國和英國演出，但在 1920 年後，她的事業逐漸衰落。A小調鋼琴三重奏》（約1930-40年）的鉛筆手稿於2019年在莫斯科俄羅斯國家音樂博物館被發現。格拉漢姆-格里菲斯與古爾德鋼琴三重奏的成員密切合作，對這部作品進行了編輯，並于2020年進行了世界首演。這部作品由四個樂章組成，時長 28 分鐘，充滿浪漫主義色彩，與最近重新出版的卡什佩羅娃版《大提琴奏鳴曲 1 & 2》同為一部作品"

作曲家: Kashperova, Leokadiya
樂器: piano
出版社: Boosey & Hawkes
原文簡介:
Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Mily Alexayevich Balakirev and Leopold von Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.These new editions of the Cello Sonatas 1 & 2 have been broadcast and recorded, whilst new editions of her Symphony and hitherto unpublished Piano Concerto have recently been issued. Kashperova’s Romantic empathy with nature and childhood may be keenly observed in her chamber music and songs. The six-movement piano suite In the Midst of Nature (1910) in no exception in the way it uses evocations of nature to express nostalgia for her childhood in the peaceful and remote Russian countryside. In the Midst of Nature also resents an artfully graded progression, indicating that Kashperova probably shared this music with her many pupils: the early movements are within the range of the talented young player whilst the latter movements require the technique and interpretative maturity of a conservatoire student, the whole work being admirably suited to the professional recital.