Fanal 總譜 博浩版

題 "Fanal"（源於希臘語 "phanos"，即烽火臺）指的是 "火紅的烽火臺 "的形象，而這正是這部作品的創作理念。音樂語言--尤其是在作品的開頭--就像突然迸發的火焰；其他時刻則暗示著火焰的閃爍、舔舐和幾乎一動不動的光芒，而結尾則描繪了火焰逐漸熄滅的過程。獨奏小號在這一活動中以不同的視角進行演奏：它並不總是在前景，也可以在中間聽到，有時甚至在 "音景 "的背景中。自貝多芬第三交響曲以來，有時被稱為 "英雄 "音符的 "聲音符號 "降 E 音也發揮了重要作用。最後，我們來談談編碼的象徵意義：在作品的音樂結構和形式所依據的 32 個音符的 "音形 "中，20 至 24 號音符的排列是為了讓它們在半音階中的數位位置呈現出以下數位組合： 14.7.(17)89. 該作品的創作恰逢法國大革命二百周年，並受到了這一事件的影響"

作曲家: Hoeller, York
樂器: trumpet and orchestra
出版社: Boosey & Hawkes
原文簡介:
The title Fanal (from the Greek, ‘phanos’, a beacon) refers to the image of a a ‘fiery beacon’which forms the idea behind the work. The musical language - particularly at the work’s opening - resembles a sudden bursting into flames; other moments suggest the fitful flickering, the even licking, the almost motionless glow of the flames, while the close depicts the gradual dying of the fire. The solo trumpet performs in the midst of this activity at different perspective levels: by no means always in the foreground, it can also be heard in the middle and occasionally even in the background of the ‘soundscape’. The ‘sound-symbol’, E flat, sometimes called the ‘heroic’ note since Beethoven’s Symphony No.3, also plays an important role. A word, finally, about the encoded symbolism: within the 32-note ‘sound-shape’ on which the work’s musical structure and form are based, notes 20 to 24 are arranged so that their numerical position within the chromatic scale gives the following combination of numbers: 14.7.(17)89. The work’s composition coincided with and was influenced by the bicentenary of the French Revolution.