Three Piano Sonatas WoO 47 Kurfürstensonaten 貝多芬 鋼琴奏鳴曲 鋼琴獨奏 維也納原典版

路德維希-凡-貝多芬為我們留下了 35 首鋼琴奏鳴曲。他在波恩時創作的三首奏鳴曲於 1783 年出版，沒有作品編號，因此不在 32 首奏鳴曲之列。然而，這些高難度的早期作品不容小覷。這些作品的鋼琴技巧極具挑戰性，尤其是其不同的發音，而其作曲技巧則遠遠超越了他在維也納時期的水準。F 小調第二奏鳴曲》（第一樂章）的主旋律已經預示了《悲愴大奏鳴曲》的快板主題。本版本參考了貝多芬的第一版和現存的作曲家版本，以及哈斯林格的完整版重印本，在哈斯林格的完整版中，奏鳴曲被編號為貝多芬所有鋼琴奏鳴曲的第 1-3 號，仿佛這是世界上最自然不過的事情

作曲家: Beethoven, Ludwig van
編者: Reutter, Jochen
校訂者: Franke, Nils
樂器: piano
出版社: Wiener Urtext Edition
原文簡介:
Ludwig van Beethoven left us 35 piano sonatas actually. The three sonatas from his days in Bonn, published in 1783, do not have an opus number and therefore do not appear in the canon of 32 sonatas. However, these demanding early works are not to be underestimated. Their piano technique is challenging, particularly because of their differentiated articulation while their compositional technique points far ahead into his Viennese days. The main theme of the Second Sonata in F minor (1st movement) already presages the allegro theme of the Grande Sonate pathétique. The present edition draws on the first edition and an extant composer's copy of the first edition with Beethoven's corrections as well as on the reprint in Haslinger's complete edition in which the sonatas are numbered as Nos. 1-3 of all piano sonatas by Beethoven, as if it were the most natural thing in the world.