Sonata op. 13 Grande Sonate Pathétique 貝多芬 奏鳴曲 悲愴 鋼琴獨奏 維也納原典版

這首奏鳴曲比任何早期作品都更容易學習，因此一直非常受歡迎。(卡爾-車爾尼）。的確，在貝多芬著名的鋼琴奏鳴曲中，《悲愴大奏鳴曲》是對演奏技巧要求最適中的一首。但它也因其悲壯的表現力而廣受歡迎，從第一個和絃開始就吸引著聽眾。"新版 "是繼2018/19年出版的貝多芬所有鋼琴奏鳴曲修訂新版之後的又一單行本。該版本以 1799 年出版的第一版、之後不久由原出版商出版的第二版以及一些早期重印本為基礎。後者作為補充資料尤為重要，因為其親筆簽名或副本均未流傳下來。批判報告（德語和英語）介紹了資料來源的重要性和編輯決定。三語序言提供了歷史背景資訊。此外，貝多芬的學生卡爾-切爾尼（Carl Czerny）在演奏實踐方面的評論提供了第一手的詮釋建議"

作曲家: Beethoven, Ludwig van
樂器: piano
出版社: Wiener Urtext Edition
原文簡介:
This sonata is easier to study than any of the earlier ones, and has therefore always been extremely popular. (Carl Czerny). Indeed, the Grande Sonate pathétique is the one with the most moderate demands in terms of playing technique among Beethoven's famous piano sonatas. But it is also popular for its pathetic expression, which captivates the listener from the very first chords.The new edition is published as a single edition following the revised new edition of all Beethoven's piano sonatas published in 2018/19. The edition is based on the first edition published in 1799, the second edition by the original publisher published soon afterwards and some early reprints. The latter are particularly important as supplementary sources, since neither the autograph nor copies of them have survived. The Critical Report (in German and English) informs about the importance of the sources and the editorial decisions. The trilingual preface provides historical background information. In addition, the performance-practical remarks by Beethoven's pupil Carl Czerny offer first-hand interpretative advice.