Piano Sonata No. 2 in A Major, Op. 2, No. 2 貝多芬 奏鳴曲 鋼琴 亨乐版

貝多芬的三首鋼琴奏鳴曲Op.2是貝多芬在這一體裁中第一首有作品編號的作品，從而向音樂界表明了他對這些作品的特別重視。這三首奏鳴曲是他在維也納的最初幾年創作的，它們與他的作品 1 鋼琴三重奏一起，幫助確立了他作為當時最重要作曲家之一的聲譽。這三首奏鳴曲--都是小型傑作--按照難度和技巧的遞增順序排列。這首 A 大調奏鳴曲的核心樂章是著名而深邃的 "憂傷的慢板"（Largo appassionato），其頓挫的低音線條讓人聯想到低音提琴的 "撥弦"（pizzicati）。與之形成鮮明對比的是靈動的 "迴旋-終曲"，其主題每次都以更加精緻的阿拉伯式迴旋。默里-佩拉希亞的指法經過了數十年演奏這些作品的考驗，為演奏這些鋼琴曲目的里程碑提供了新的方法"

作曲家: Ludwig van Beethoven
校訂者: Murray Perahia
樂器: Piano
出版社: G. Henle Verlag
原文簡介:
Beethoven's three piano sonatas op. 2 were the first works in this genre to which he gave an opus number, thus signaling to the music world the special importance that he assigned to them. He wrote them during his first years in Vienna and, along with his op. 1 piano trios, they helped to establish his reputation as one of the most significant composers of his time. These three sonatas - all of them small masterpieces - are arranged in ascending order of difficulty and virtuosity. At the heart of this A-major Sonata is the well-known, profound Largo appassionato movement, whose staccato bass line is reminiscent of double bass pizzicati. It stands in stark contrast to the nimble Rondo-Finale, whose theme returns each time with ever more elaborate arabesques. Murray Perahia's fingerings have been tried and tested over several decades of performing these works, and offer a new approach to these milestones of the piano repertoire.