Works for Mandolin and Piano Mandolin and Piano 貝多芬 曼陀林琴 鋼琴 亨乐版

曼陀林與鋼琴的室內樂組合具有特殊的音色魅力：曼陀林銀色的音色與鋼琴的音色以一種完全獨特的方式融合在一起。大約在 1800 年，這些音色激發了貝多芬和胡梅爾等作曲家為這種不同尋常的合奏譜曲。1796 年，貝多芬在布拉格逗留期間，為演奏曼陀林的約瑟芬-馮-克拉裡-阿爾德林根伯爵夫人創作了多首此類作品。甜美和俏皮在這裡得到了多方面的體現。由於貝多芬沒有使用任何曼陀林特有的轉折句式，而且他是為 G-D-A-E 調式的樂器創作的，因此這些作品也很容易在小提琴上演奏。這本貝多芬曼陀林與鋼琴作品的 Henle Urtext 版提供了貝多芬全集的音樂性"

作曲家: Ludwig van Beethoven
校訂者: Armin Raab
樂器: Mandolin; Piano
出版社: Henle Urtext Edition

曲目:
SONATINE (KEY: 3 FLATS)
ADAGIO MA NON TROPPO (KEY: 3 FLATS)
SONATINE (KEY: NO FLATS/SHARPS)
ANDANTE CON VARIAZIONI (KEY: 2 SHARPS)

原文簡介:
The chamber music combination of mandolin and piano has a special tonal charm: the silvery sound of the mandolin blends in an entirely unique manner with the piano. In around 1800, these timbres inspired composers such as Beethoven and Hummel to compose for this unusual ensemble. During his sojourn in Prague in 1796, Beethoven wrote a number of such pieces for Countess Josephine von Clary-Aldringen, who played the mandolin. Sweetness and playful esprit present themselves here in many facets. Since Beethoven did not use any mandolin-specific turns of phrase, and since he wrote here for an instrument with G-D-A-E tuning, these works are also readily playable on the violin. This Henle Urtext edition of Beethoven's works for mandolin and piano offers the musical tex of the Beethoven Complete Edition.