Violin Concerto op. 25 1001 Nights in the Harem 賽伊．法佐 小提琴協奏曲 小提琴加鋼琴 朔特版

我的小提琴協奏曲由四個樂章組成，其靈感來源於《一千零一夜》中的謝赫拉紮德。第一樂章以後宮為背景，介紹了後宮的各種女人，每個女人都有自己不同的個性。第二樂章是狂熱的舞蹈，實際上是一個狂歡之夜，舞曲種類繁多。第三樂章描繪了第二天早晨的景象，主要由一首著名的土耳其歌曲變奏而成。第四樂章以戲劇性的方式開始，但在樂章的發展過程中，越來越多的人開始回憶之前發生的所有事件，作品在快樂的情緒中夢幻般地達到高潮，充滿了感性的東方音色。然而，小提琴獨奏才是整部作品的主線，也是整部作品的伴奏。小提琴部分的演奏技藝精湛，將四個樂章融為一體，在每個樂章之間，獨奏小提琴都會飆出一段獨奏快板，有時還會由其中一種打擊樂器伴奏。按照慣例，本鋼琴縮寫本最初是作為研究這部作品的輔助材料，但在我與派特裡夏-科帕欽斯卡婭和布林汗-厄查爾的巡演計畫中，我們利用這一材料創作了小提琴、鋼琴和打擊樂器三重奏版本。法茲

作曲家: Say, Faz?l
樂器: violin and orchestra
出版社: Schott Music

曲目:
I Allegro · Cadenza - II Allegro assai · Cadenza - III Andantino - IV (ohne Satzbezeichnung) · Coda (Andantino)

原文簡介:
My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazade’s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance – in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds.As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments.As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion. Faz?l Say