Trois Esquisses Lyriques, Op. 144 for Piano 鋼琴

巴克裡的'Esquisses Lyriques'中的第3-5號。在 19 世紀，'沙龍音樂'本應是一種以最容易接受的方式表達親密情感的歡快體裁，從而創造出一種不謙虛的喜劇。Chanson et valse（Esquisses lyriques nos. 4 和 5）是受居住在倫敦的加泰羅尼亞鋼琴家瑪麗亞-卡尼圭拉爾（Maria Canyigueral）委託，為她的 "前衛蒙普 "項目創作的。薩達納》中的六個音符--F A G C A F--構成了一首甜美、平易近人的歌曲的開頭，而只有前三個音符構成了一首類似華爾滋形式的旋律的開頭，整個旋律簡潔而不失抒情"

作曲家: Nicolas Bacri
出版社: Alphonse Leduc
原文簡介:
Nos. 3-5 of Bacri's 'Esquisses Lyriques'. Valse triste is Bacri's third Esquisse Lyrique and third attempt at reviving the outdated genre of 'salon music' that, in the 19th century, was meant to be a convivial genre expressing intimate feelings in the most acceptable way possible, thereby creating a sort of comedy of immodesty. Chanson et valse (Esquisses lyriques nos. 4 and 5) was commissioned by Maria Canyigueral, a Catalan pianist residing in London, for her 'Avant-guarding Mompou' project, consisting of several new pieces based on fragments of Catalan folk melodies and thereby echoing the music of the great composer Federico Mompou. The six notes from a Sardana - F A G C A F - form the beginning of a sweet, plaintive song whilst only the first three constitute the beginning of a melody that takes the form of a waltz of similar character, the whole being placed under the sign of a simplicity that does not rule out lyricism.