Symmetry Disorders Reach op. 73 15 pieces 哥爾．亞力山大 小品 鋼琴獨奏 朔特版

亞歷山大-戈爾和舒曼一樣，教學和培養新思想和新人才是他作曲生涯中不可或缺的一部分。在這 15 首作品中，他以巴赫、亨德爾、莫札特和舒曼的作品為範本，探索創作行為。他說："想像力的失調被記錄下來，並加以整理和擴展，希望'達到一種對稱'或'真正的格式塔'（W.H. Auden 語）。但反過來說也可能行得通（而且對許多人來說確實行得通）：從對稱（矩陣）中產生繁茂的無序。我希望，將每部作品與其相應的模型進行比較的可能性會給人一種特殊的愉悅感，這與我以這種方式進行創作時的愉悅感並無二致"（亞歷山大-戈爾）

作曲家: Goehr, Alexander
樂器: piano
出版社: Schott Music

曲目:
Vol. 1: - Prelude - Invention - Capriccio - Fughetta - Chaconne - Moto perpetuo - Invention - Burlesque - Metric Maze - Vol. 2: - Litlle Harmonic Labyrinth - Little Harmonic Labyrith, Double - Air - Air, Double - Adagio - Vivo - Appendix: - J.S.Bach: Kleines harmonisches Labyrinth [Werke XXXVIII, Orgelwerke Vol. 3] - G.F. Handel: Air - W.A. Mozart: Adagio in h, KV540 [Serie IX, Vol. 2] - R. Schumann: No. 8 [Piano Solo I]

原文簡介:
For Alexander Goehr, like Schumann, teaching and fostering new ideas andtalent has been an integral part of his life as a composer. In these 15 pieces he uses models (by Bach, Handel, Mozart and Schumann) to explore the creative act. “The disorders of the imagination, recorded as they present themselves, are to be ordered and extended in the hope of ‘reaching a symmetry’, or a ‘true gestalt’ [in the words of W.H. Auden, whose poem New Year Letter, 1940, provided the title and context for this project]. But the other way round might work too (and for many does): taking a symmetry (matrix) and making from it a luxuriant disorder. I hope that the possibility of comparing each piece with its appropriate model may give a particular pleasure, not unlike my pleasure in composing in this way.”(Alexander Goehr)