Sonatas for cello and piano Incl. Cello Version of the Horn Sonata op. 17 貝多芬 奏鳴曲大提琴鋼琴大提琴 法國號奏鳴曲 大提琴加鋼琴 維也納原典版
貝多芬的大提琴與鋼琴奏鳴曲為全新的室內樂流派奠定了基礎，並激勵了約翰內斯-勃拉姆斯（Johannes Brahms）和理查-施特勞斯（Richard Strauss）等後來的作曲家。貝多芬的五部作品的存世量截然不同。早期兩首奏鳴曲作品 5 的原始手稿已全部遺失，而晚期作品 102 的原始資料卻異常齊全，但仍有許多問題懸而未決。新版《維納烏爾文版》通過對資料的批判性比較，提供了一個音樂文本，但避免對有問題的段落提出絕對的肯定。在此，編者建議將最合理的解決方案作為主文本，但在註腳和注釋中為音樂家提供了備選方案--在存在重大分歧的情況下，甚至在單獨的大提琴部分中也提供了備選方案，這樣大提琴演奏家無需查閱批判性報告即可瞭解這些資訊。本冊還收錄了《圓號奏鳴曲作品 17》的大提琴版本，根據最新研究，其替代樂器的演奏可被視為絕對真實。海因裡希-希夫（Heinrich Schiff）對中提琴部分的編排不僅考慮到了音樂家們各自的演奏技巧，也考慮到了不同樂器之間的差異"
作曲家: Beethoven, Ludwig van
編者: Wiesenfeldt, Christiane
校訂者: Schiff, Heinrich / Ubber, Christian
樂器: cello and piano
出版社: Wiener Urtext Edition
曲目:
Sonate in F-Dur op. 5/1 (1796) - Sonate in g-Moll op. 5/2 (1796) - Sonate in A-Dur op. 69 (180708) - Sonate in C-Dur op. 102/1 (1815) - Sonate in D-Dur op. 102/ (1815) - Sonate in F-Dur op. 17 (originale Violoncellofassung der Hornsonate, 1800)
With his sonatas for violoncello and piano, Beethoven laid the foundations for a totally new chamber music genre which inspired subsequent composers such as Johannes Brahms and Richard Strauss among others. The extent of what has survived of the five works by Beethoven is quite different. Whereas all original manuscripts of the two early sonatas Op. 5 are missing, unusually comprehensive source material is extant of the late opus 102 which, however, leaves no less serious questions unsettled. The new edition of the Wiener Urtext Edition provides a musical text obtained from the critical comparison of the sources which, however, avoids suggesting absolute certainty at problematic passages. Here, the editor rather suggests the most plausible solution as main text, but alternatives are made available to the musician in footnotes and remarks - and, in the case of major divergences, even in the separate cello part so that the cellist can see such information without having to look in the Critical Report. This volume also contains the cello version of the Horn Sonata Op. 17 the alternative instrumentation of which can be regarded as absolutely authentic according to recent research.Thanks to fold-out pages and optimized page-turns, the performance material is extremely practical. The arrangement of the violoncello part by Heinrich Schiff takes into account not only the musicians' individual playing techniques but also the differences between the individual instruments.