Selected Works for Piano Edited from the autographs, manuscript copies and original editions and their revisions 荀貝格 鋼琴 手稿 鋼琴獨奏 維也納原典版
過去幾十年來，阿諾德-勳伯格的鋼琴作品在古典音樂會曲目中佔有一席之地。這部規模不大的作品之所以被接受，主要是表演音樂家的功勞。在愛德華-斯圖爾曼（Eduard Steuermann）和埃爾斯-C-克勞斯（Else C. Kraus）樹立榜樣之後，葛籣-古爾德（Glenn Gould）、毛裡齊奧-波利尼（Maurizio Pollini）和克勞德-赫爾弗（Claude Helffer）等鋼琴家（以及許多其他鋼琴家）在他們的音樂會和錄音中，將這組作品--《11、19、23、25和33a/b號作品》--作為一個具有歷史和美學意義的整體來呈現。尤為重要的是，在音樂會中將這些作品與貝多芬的奏鳴曲一起編排，這對於廣大聽眾而言，賦予了它們古典藝術作品的光環"
作曲家: Schoenberg, Arnold
編者: Brinkmann, Reinhold
校訂者: Roggenkamp, Peter
樂器: piano
出版社: Wiener Urtext Edition
曲目:
Vorwort - Drei Klavierstücke op. 11, revidiert 1924 - Sechs kleine Klavierstücke op. 19 - Suite für Klavier op. 25 - Klavierstück op. 33a - Klavierstück op. 33b - Anhang: Drei Klavierstücke (1894) - Kritische Anmerkungen - Zur Interpretation von Schönbergs Klavierwerk - Interpretationshinweise zu den einzelnen Klavierstücken
In the last few decades, Arnold Schönberg's piano works have found their place in the classical concert repertory. The acceptance of this rather small oeuvre has largely been the work of performing musicians. After the examples set by Eduard Steuermann and Else C. Kraus, pianists such as Glenn Gould, Maurizio Pollini and Claude Helffer (as well as many others) have, in their concerts and recordings, presented this group of works – Opp. 11, 19, 23, 25 and 33a/b – as an historically and aesthetically significant totality. Of particular importance has been the programming of these pieces in concerts along with Beethoven's sonatas, which, for a large circle of listeners, has lent them the aura of classical works of art.