Sarabanda P15a for violin and piano 雷斯匹基 小提琴鋼琴 小提琴加鋼琴 朔特版

為小提琴和鋼琴而作的薩拉班達（Sarabanda）（P015a）是一首由三頁紙組成的短篇作品，創作於 1897 年，在此首次出版。原稿是奧托里諾-雷斯皮吉作曲遺產編目人波蒂托-佩達拉（Potito Pedarra）私人檔案的一部分。奧托里諾-雷斯皮基在青年時期創作了這部作品，同年他還創作了《D 小調奏鳴曲》（1897 年，P015）、《吉加》（P015b）和《活潑快板》（P015c），這些作品都是為小提琴和鋼琴譜寫的。1898 年，雷斯皮基將《薩拉班達》移調至 F 大調，以便將其納入《鋼琴組曲》（P022，未經編輯）。在 1920 年創作的未編輯芭蕾舞劇《哥倫比娜的阿斯圖齊》（Le Astuzie di Colombina，Scherzo veneziano）（P130，未編輯）第二部分的《薩拉班達之墓》（Tempo di Sarabanda）中，可以辨認出薩拉班達主題的痕跡。為小提琴和鋼琴而作的《薩拉班達》的親筆手稿上有許多後人的標記，本版未予收錄

作曲家: Respighi, Ottorino
編者: Bernecoli, Emy / Corazza, Elia Andrea
樂器: violin and piano
出版社: Schott Music
原文簡介:
The Sarabanda for violin and piano (P015a) is a short composition consisting of three pages dated 1897, published here for the first time. The original manuscript is part of the private archive of Potito Pedarra, cataloguer of Ottorino Respighi’s compositional legacy. Ottorino Respighi composed this work during his youth in the same year as the Sonata in D minor (1897, P015), Giga (P015b) and Allegretto vivace (P015c), all scored for violin and piano. In 1898, Respighi transposed the Sarabanda to F major in order to incorporate it into the Suite per pianoforte (P022, unedited). Traces of the Sarabanda’s theme are recognizable in the Grave (Tempo di Sarabanda) of the second part of the unedited ballet Le Astuzie di Colombina (Scherzo veneziano), composed in 1920 (P130, unedited). The autograph manuscript of the Sarabanda for violin and piano has a number of posthumous markings which have not been included in this edition.